Fahrenheit 451 - Symbolism


Symbolism in Fahrenheit 451
Ray Bradbury, perhaps one of the best-known science fiction, wrote the amazing novel Fahrenheit 451. The novel is about Guy Montag, a ?fireman? who produces fires instead of eliminating them in order to burn books (Watt 2). One night while he is walking home from work he meets a young girl who stirs up his thoughts and curiosities like no one has before. She tells him of a world where fireman put out fires instead of starting them and where people read books and think for themselves (Allen 1).
At a bookhouse, a woman chooses to burn and die with her books and afterwards Montag begins to believe that there is something truly amazing in books, something so amazing that a woman would kill herself for (Allen 1). At this point in the story Guy begins to read and steal books to rebel against society (Watt 2). Montag meets a professor named Faber and they conspire together to steal books. Montag soon turns against the authorities and flees their deadly hunting party in a hasty, unpremeditated act of homicide, and escapes the country (Watt 2). The novel ends as Montag joins a group in the county where each person becomes and narrates a book but for some strange reason refuses to interpret it (Slusser 63). Symbolism is involved in many aspects of the story. In Fahrenheit 451Ray Bradbury employs various significant symbols through his distinct writing style.
First, burning is an important symbol in the novel. The beginning of Fahrenheit 451 begins with, "it was a pleasure to burn. It was a pleasure to see things blackened and changed" (3). Burning rouses the "consequences of unharnessed technology and contemporary man?s contented refusal to acknowledge these consequences" (Watt 1). In these first two sentences he creates a sense of curiosity and irony because in the story change is something controlled and unwanted by the government and society, so it is very unlikely that anything in Guy Montag?s society could be changed. The burning described at this point represents the constructive energy that later leads to "apocalyptic catastrophe" which are the "polls" of the novel (Watt 1). At one instance, after Montag rebels, he tells Beatty something very important, "we never burned right?" (119). In his personal thoughts, Montag reminds himself, "burn them or they?ll burn you?Right now it?s as simple as that?"(123). What, whether, and how to burn are the issues in the novel (Watt 1). In an interesting thought Montag comes upon an idea about burning that states "the sun burnt every day. It burnt time?So if he burnt things with the firemen and the sun burnt Time, that meant that everything burnt! One of them had to stop burning" (141).
Secondly, Fire is a greatly important element of symbolism in Fahrenheit 451. Fire consumes minds, spirits, men, ideas, and books (McNelly 3). Fire?s importance is put at the beginning of the book when a clear picture of firemen is first seen and the narrator says, "With his symbolic helmet numbered 451 on his stolid head, and his eyes all orange flame with the thought of what came next, he flicked the igniter and the house jumped up in a gorging fire that burned the evening sky red and yellow and black" (3). Fahrenheit 451 is the temperature at which books burn and is symbolically written on the firemen?s helmets, tanks, and in the firestation. Faber represents the "quiet, nourishing flame" of the imaginative spirit while in contrast, Beatty symbolizes the destroying function of fire (Watt 2). Fire, Montag?s reality and world, refines and purifies his mind and also gives unity and depth to the story (McNelly 3). Montag interprets his experiences in terms of fire (Watt 2). In Montag?s society the fireman?s torch has become a flame of reason (Slusser 63). Scientists also consider fire a "mystery" in the novel (115). Fire is a consequential symbol in the story.
Thirdly, the Mechanical Hound is a meaningful symbol. The narrator describes the hound as follows, "the Mechanical Hound slept but did not sleep, lived but did not live?it was like a great bee come home from some field where the honey is full of poison wildness, of insanity and nightmare, its body crammed with that overrich nectar, and now it was sleeping the evil out of itself" (24). At the beginning of