Howards End: Book Review

Howards End by E. M. Forster deals with the conflict of class distinctions and human relationships. The quintessence of the main theme of this lovely novel is: "Only connect!?Only connect the prose and passion?and human love will be seen at its height. Live in fragments no longer." This excerpt represents the main idea that Forster carries through the book: relationships, not social status, are--or at least should be--the most important thing for people.

Howards End was written in 1910. That explains the naivete and idealism that permeate the atmosphere of the novel. Written in the beginning of the twentieth century in England about the beginning of the twentieth century in England it reflects the mood that existed in England at that time. It was a time of prosperity. The industrial revolution that started in the previous century made the British Empire a world power. Everyone had a job and the conditions for the workers significantly improved as compared to the past century. Trade unions that never existed before had just begun to form to protect the rights of the working people, and poor children didn't have to work in mines anymore. A bloody and seemingly meaningless war hadn't yet begun to destroy bodies and devastate souls of people. Generally speaking, the times were good, and the future was viewed in an optimistic way. The atmosphere of the book is filled with romance and hope, even though the author is very far from writing an utopian type of description of English society.

In fact, the book is very truthful in the description of class problems of the country. In Howards End Forster talks about two classes and two ideologies that are separated by the thick wall of social prejudices and misunderstandings. The two social groups are represented by the cultured, idealistic Schlegels and the pragmatic, business-oriented Wilcoxes. The Schlegel Sisters, who aren't 'pure' English, but people of German origin, personify Forster's dream about what people's philosophy of life should be. They used to think about the class differences as obstacles that do not allow people to fully understand each other. The hope is that if everybody thinks that way, people will just forget about class differences--that's what Forster's dream is. Margaret and Helen Schlegels partly think this way because being part of minority group in England they have experienced discrimination caused by class prejudices. However, they reject splitting society into different social groups not only because such a splitting puts them in a disadvantage. Even if the Schlegels belonged to the upper class, and breaking the society into parts were to benefit them in terms of some mercenary interests, they would still have a strong feeling of rejection of such a social structure. Relationships--not social position--are important for them.

It seems that the philosophy of life of the Wilcox family--English through and through--should reflect the views of patriotic Forster. However, it's incorrect. The Schlegel sisters are the protagonists and the Wilcoxes are the antagonists of the novel--not in the sense that they are the 'bad guys', but in that their philosophy of life is opposite of Schlegels' and, therefore, the author's. Wilcoxes completely approve of the distinction between classes and are extremely pragmatic. Their snobbism and pragmatism don't leave any chance to the happy development of the engagement between Helen Schlegel and Paul Wilcox that ultimately contradicts the main principle that is emphasized throughout the book: "Be comrades!"

The characters of the novel are believable--as long as the author wants them to be believable. By that I mean that Forster, naturally, wants to create a plausible image of England of that time and therefore he must try to make the characters look plausible. He is successful in making the Schlegels and the Wilcoxes look natural enough, but in doing so he does not care about the characters themselves very much. For Forster, the characters of the novel are people who represent certain ideas, and it is the ideas that are important for him, not the characters as individuals. If he could have written a novel just as lovely and clear as Howards End and talk about ideas only--not people--he would have probably done it.

Unlike some other authors, who try not to emphasize the location where the action takes place to universilize their novels, Forster made Howards End very 'English' book. He never lets the reader forget